Please see the Gigs / Events page for forthcoming performances
Myself and artist Sam Francis were recipients of an Interpreting Isolation grant from the British Music Collection and Sound and Music for new works that reflect on COVID-19 in a creative way in response to this unique moment in our history.
‘Drawing upon water as a source of inspiration and as a metaphor for the Covid 19 situation, Tina Hitchens based in Bristol and Sam Francis in Weston Super Mare met virtually over two weeks to connect their separate locations through different water sources – the WSM coast and the River Frome in Eastville, Bristol that both conjoin with the Severn Estuary. At the changing times of high tide they met virtually to observe, listen, look, meditate on and respond to the connecting pull of the water, the environment and surroundings to connect creatively and personally as a lifeline during these uncertain and disconnected times. This work is a montage of material gathered during these outings and a reminder that flow and continuity will always be present and can close the space between us as the space between us all widens’.
I recently appeared in an online stream hosted by the wonderful Newcastle venue, The Old Police House. Featuring flute and FX pedals, it will be available to view online here for a fortnight.
After a nation-wide call for applications which saw over 150 responses, I’m delighted to announce that I am one of 6 recipients, with artist Sam Francis, of an ‘Interpreting Isolation’ grant from the British Music Collection and Sound and Music. The grants have been provided to enable musicians to present ‘new works that respond creatively to this unique moment in our history’. Read more here.
Allowing the water to connect us during this time of distance, we will meet separately by the water sources nearest to our homes in Bristol and Weston Super Mare at the changing times of high tide. We will observe, listen, look, meditate upon and respond to the water, the environment and surroundings to gather sound recordings, video, text and voice to create a new at-distance collaborative audio-visual work.
The 6 works will be launched and hosted on the British Music Collection online and shared via their social channels and newsletters over the coming months. Full details to follow.
Drummer Matthew Lovett and I made a distanced project during 2019 – Grass Sends Out Runners. Made via file swapping and recording improvised responses to each other’s sounds. I’m really happy to be able to release it now – we can still create when we’re not near each other.
As the Covid 19 situation in the UK worsens, the government’s policy has effectively closed all music venues and all live performances in my diary have been cancelled. It is a worrying time for everyone, and safety is paramount. However, the creative community has been thrown into truly uncharted territory, and many friends and colleagues are without work. If you’re able to, please consider making a donation to the wonderful Help Musicians UK, who provide Health and Wellbeing support to musicians.
Please also consider buying the music you value – direct from artists via platforms such as Bandcamp is the best way to make sure the artists gets the most income. Bandcamp is waiving their revenue share on sales this Friday, March 20 (from midnight to midnight Pacific Time), and rallying the Bandcamp community to put much needed money directly into artists’ pockets. There are many people whose incomes are precarious at this time, but please help if you can.
The following are links to recent musical projects of mine, but please explore the wonderful independent artists out there! I am so looking forward to being able to make music with those I love again soon, and to share it with people. There are plans to start streaming gigs online, free wherever possible, to help reduce the sense of separation we’re all feeling. I’ll post links and instructions up as soon as they’re available. Please note also that I am continuing to teach students at this time, and online lessons are available. If you would like to discuss this option, please just contact me.
Take care, and stay safe x
It’s been an incredibly busy time with gigs recently, but I’ve also been making strides with my project for the CANOPY Network, who are based in the Forest of Dean. I’ve been exploring caves with GSS (Gloucester Speleological Society) who have kindly taken me under their wings.
So far I’ve visited Wigpool Mine and Miss Grace’s Lane cave. It’s been an incredible challenge but I have captured some astonishing sounds and stories. I have more cave trips planned, and I’m gearing up towards the final project, where I’ll make a soundscape to be placed into a phone box.
My solo songs project, Tisla, has had a lovely review in the Quietus…
all-too-human electronic songcraft: hermetic and inscrutable but with much that beguiles
Read the full thing here. Live shows to follow!
Tisla is my solo songs project. There is a new EP available now – My Mind, In a Line. Listen below, and buy a digital download.
To buy a physical cassette tape, head to Cardboard Club, here: https://cardboardclub.bandcamp.com/album/my-mind-in-a-line.
I have been selected as a commissioned artist for CANOPY to produce new work for an exciting project focusing on phone boxes in the Forest of Dean area. There will be eight artists of varying disciplines involved. The project is supported by West Dean Parish Council and Arts Council England.
More details to follow soon!
I have been invited to join the wonderful Viridian Ensemble as a core member…
They are: ‘An ethereal blend of image, voice, cello, flute and double bass which re-imagines folkloric forms and tropes of femininity. Improvisation of both sound and image (digital & analogue) produce a dialogic blend of textural depths. Dissociative states, keening, and the supernatural inspirit the ensemble; each performance evokes utterances, nonsensical languages, and trans species forms of communication through collective rhythm, tone and resonance’.
Supported by the PRS Foundation, Viridian are playing a range of tour dates in Autumn / Winter 2019. See the Gigs / Events page for details.
Harpoon’s new album, Permission Fist, is now fully launched and available to buy, here.
We had a wonderful review of the album, featured in the Quietus: “There are a metric tonne of producers out there reshaping techno with scalpels and microscopes: Harpoon are doing it with lump hammers and hard hats. Intense/immense”. Read the full review here.
I performed with the wonderful Viridian for a show on Noods Radio – a Bokeh Versions takeover. The live show is now available to listen to online:
Harpoon’s new album, Permission Fist, is soon to be released via Aphelion Editions! We’re having a launch party on 16 May at the Trap in Bristol (under the Crown on All Saints Lane). See the Gigs / Events page for full details.
You can pre-order the album online now, here: https://aphelioneditions.bandcamp.com/album/permission-fist.
I made the artwork for the album – it’ll be available as both CD and cassette tape (along with digital download):
I played as a guest with the wonderful Viridian in October last year, and you can now listen to excerpts of that evening’s performance:
Edited mix of live session 26th Oct 2018 at Brunswick Club, Bristol.
Playing: Tina Hitchens – Flute, Jo Kelly – Double bass, Dali De St Paul – Vocals, Waterphone – Laura Phillips.
Sound Engineering- Alan from Ambersounds
Sound master mix – Bill Cargill
It has been a busy few months of gigs, but in time for the solstice, there’s a new Tisla song up:
Things have been a little quiet with gigs / events recently, but I’m taking time to write music / explore improvisation projects. More activity is soon to follow!
In the meantime, I have released an EP of improvised music, performed on various flutes:
New Tisla songs are also up:
Halftone’s new record ‘ Live at Long Ashton Church’ is now available:
Improvising quartet Halftone have had a quieter year this year – members have been appearing all over the UK and beyond in many other guises. But, we’ve nearly finished our first record! Excited to be releasing it soon – watch this space…
A new song – Harbour – written under the name of my solo recording project, Tisla
As part of the Future Perfect public art programme in Bristol, I have been asked to write songs for various community groups as part of Freya Gabie’s Grafted Chorus at Hengrove and Whitchurch Community Orchard. I am creating bespoke songs that the groups will come together to perform at this special summer event. Starting from The Orchard, each group will begin their own song as the previous one ends – a song grafted, like a fruit tree, onto the last. And so on, with performers branching out beyond Whitchurch Green. The final performance will be Saturday 1 July, 14:00.
A work in progress showing is taking place at Spike Island Arts Centre on Sunday 30th April, 14:00. I have composed a song based on writer Holly Corfield Carr’s ‘Hengrove Wassail’, which will be performed by four vocalists.
The improvising quartet I play with – Halftone – have been recording! We spent some time at the beautiful All Saints Church in Long Ashton, Bristol. Further news to follow soon.
I have begun playing / writing in a new group – Hokkett – with violinist Yvonna Magada and saxophonist Helen Papaioannou. Hokket play ‘skronky / wonky riffs, snippets of melodies and hints of harmonies, woven together through improvisation’. More information to follow!
This improvised drum machines duo with Aron Ward – Harpoon – have released a live recording. Recorded on Saturday, October 22nd 2016 at The Firefly for Suprise Attacks in Worcester.
Improvising quartet Tina is flautist with – Halftone – are appearing with the legendary Les Diaboliques – Scottish vocalist Maggie Nicols, French bassist Joëlle Léandre and Swiss pianist Irène Schweizer.
Since the late 1970s, Les Diaboliques have been at the Vanguard of feminist engagement with free improvisation. Schweizer and Nicols were members of the iconic Feminist Improvising Group (FIG) and performed with Léandre in the European Womens Improvising Group. They formed Les Diaboliques in 1990. Nicols, Léandre and Schweizer have collaborated with many of the leading figures in free improvisation including Pauline Oliveros, John Stevens, Evan Parker, Derek Bailey, Anthony Braxton and Phil Minton.
There is also a unique opportunity to hear the artists talk about the history of feminist free improvisation and its ongoing evolution as part of this event. This is free with the evening performance and more details can be found here.
20th November, Arnolfini, Narrow Quay, Bristol, 7:30pm, £14 / £12.50 concessions. Tickets.
The improvising duo with Aron Ward – Harpoon – has a new release available via Amicable Records.
You can also buy the lovely physical CD via Amicable’s Bandcamp site too.